• 6 Posts
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Joined 3 years ago
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Cake day: June 14th, 2023

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  • I always get a bit paranoid about things getting damaged and bent too easily. And I know it’s not always reasonable, I had a hard time accepting to make things like earrings with intentionally weak links for example (I used to make the whole thing extra strong, and then realized that if something pulls on the earring, it’s better for it to break than for the ear itself). Even with a pendant, you can have a coat on top, the strap of a bag, etc, and I start worrying that it would be ruined by such an easy mistake.

    I’m definitely not a jeweller either, I just picked up a hobby of crafting pieces with a saw, and as such I’m rather limited in my knowledge of other methods.

    Who knows, I might try casting eventually. I have the basic tools to do it, and some tin that I could melt, but that would be for a very different style since you can’t make much in tin without it bending ^^’


  • The tarnishing is a problem indeed, I have been considering using some varnishing to prevent it, but I’m not convinced on the results.

    The good thing with the hardness of brass, is that it makes it possible for this craft to be really thin, while still resistant to being bent too easily; I wouldn’t expect the same from gold. And well, another good point (other than the costs) is that there isn’t a whole legal headache around buying and reselling gold, too.

    I haven’t tried casting yet (I know, it seems like something obvious to do, but I like working without heat for some reason), but I have a feeling that the “sharpness” you get from sawing the metal is harder to obtain when casting, which tends to make slightly softer shapes.

    But yeah, precious metals do have a lot of advantages. I have been a bit stuck, not using silver, to have a grey metal to craft, because other than aluminum not much is doable.








  • It was not easy, but the design is made so that the connection points between the octopus and the base are pretty small (just a section of tentacles) so it ends up working out smoothly enough. The problem is mostly to get a smooth curve, because the metal tends to try to stay flat, and to just bend on one spot, so you need to sort of bend it progressively and work the curve along the shape.











  • Well, engraved is on the surface, while cut goes through the whole thickness of the plate. This mostly means that the tools to do it are different, as engraving is often done by either scraping the metal with a “blade”, or with a rotating tool with a polishing bit; while the cutting is simply with the same saw I cut the rest of the shape with.

    Obviously it changes the looks too, as it makes the pattern see-through, but it doesn’t show much on the picture…